HomeMy WebLinkAbout2011-08-22 11-271 ORDINANCEDate: Auaust 22, 2011 Item no, 11 271
Ifem/Subject: Ordinance, Amending Chapter 148, Historic Preservation, § 148-5,
Designating 107 Court Street as an Historic landmark
Responsible Department: Code Enforcement
Prentiss and Carlisle has requested that their property at 107 Court Street, which is
known as the William Augustus Blake House and is on the National Register of Historic
Places, be designated as an historic landmark under Chapter 148, and this amendment
accomplishes this designation.
Upon recelpt of a request for landmark designation, Chapter 148-0 requires the Historic
Preservation Commission to hold a public hearing and for the Commission to make
recommendations on the request. At the same time, Chapter 148-4 requires that the
item be placed on the neat regularly scheduled City Council agenda. The application for
designation was received on August 4, 2011.
The Commission held its Public Hearing on August 11, 2011, and unanimously approved
the request from Prentiss and Carlisle.
This Ordinance is for First Reading.
Department Head
Manager's Comments:
uo au
01?vnwc.q, d4q, �'jt-Zj p,,, ql.l i� .. •/ City Manager
Associated Information: Ordinance Amendment, Approval Letter from HPC 7
Finance Director
Legal Approval
City saldtor
Introduced for
Y Passage
x First Reading Page _of._.
Referral
11 271
]WSJ~ Assigeed to Counetlor Lougu August TT, 2011
1 ;t CITY OF BANGOR
(TITLE.) Ordinance, Amending Chapter 148, Historic Preservation, § 148-5, Designating 107
Court Street as A Historic Landmark
BE IT ORDAINED BY THE CITY COUNCIL OF THE CITY OF BANGOR THAT
Historic Preservation Code, Chapter 148, § 148-5, be amended by adding new subsection
C(36), as follows:
§148-5. Historic districts, historic sites and historic landmarks designated.
The following described lands, buildings or structures or areas of the City are designated
historic districts, historic sites or historic landmarks, as follows:
C. Historic landmarks.
36The William Augustus BI k HO —The land and buildings ted at 107 Court
Sliest City of Bangor Tax Assessors Mao 32 Lot 180
IB CITY 808861.
Ao t 22, 2011
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Bepte r 12, 2011
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J1,11,11Y P mento. orwlonmenr (oortlnuloi
August 17,2011
'
Mr. Benjamin D. Carlisle, Vice President
Porches and Carlisle
P.D. Box 637
Hangar, Maine 04402-0637
Re: Bangor Historic Preservation- Notice of Decision
Historic Landmark Designation— William Augustus
Blake House —107 Coun Street
Dear Me Carlisle
This is to notify you that at the August 11, 2011 public heating by a vote of 5 to 0, the
Historic Preservation Commission recommended approval of your application request to have
the William Augustus Blake those located at 107 Corot (Map 32 Lot 188) designated as an
Historic Landmark.
Your request and the Commission's recommendation will now be submitted to the City
Council for Council action. I will notify you when the City Council will hear your request.
The Historic Preservation Commission apVmdates Pmntes and Carlisle's commitment m the
City of Bangor and its architectural history.
If you have any questions about he process do not hesitate to contact me
r l�ectlully.; 1
J rernYP'�Manin
Development Coordinator
73 Harlow Sneer r 8anbor, Maine 04401
u 271
July 1111, 2017
Mr. Jeremy Marne
Code Enforcement Division
73 Harlow Street
Bangor, Maine 09401
Dear Mr. Martin
Please consider "a letter our learned request for a local landmark Property designation under
the historic preservation city ordinance for fire Prentiss& Carlisle main office building at 107
Court St
Prentiss & Carlisle has operated our forest management and timberland services at this location
roue 1947 Also known as the William Augustus Blake House, our building is already listed on
tie National Register of Historic Places, as well as with the State of Maine, and we have taken
great pride in preserving the building's heritage. We intend ter continue serving as its stewards
so that the t istory of this holding and our neighborhood remains intact.
I have taken the liberty to assemble a package with some materials regarding the building's
history amI some other background Irtormation m allow you and the Histone Preservation
Commission 0 familiarize yourselves with this local treasure. If you or they have any
questions about this request or our property, please feel free fir carrier me at your convenience.
Sincerely,
eek n D. Carlisle
WmPrestdent
APPLICATION FOR HISTORIC PRESERVATION DESIGNATION 11 271
TYPE ❑ Historic District
❑ Hislorlc Site
AHistoric Landmark
Applicant __LgarTII E Date_
malting Address _lo% Coa;c_Sr._ baa a , At _ . _ Phone qjk,- t?jg _.
Location of Buildirg/Ske - rP _ c ,Kr STJ' LYN k
Name of Building/Site WW{4q AIuSvrvS Kis H, E ..
If District- List All Properties Proposed
Onnsr of BuildinglSde � 'mSt*..CAPUYf_f41PnNY Im
(If not ayplicard)
- Description of Historic Charactans6cslQualRuafions
_ N_IveK +_#A.Wm..&k Is Yui-ssk`-an �fww _er._.
CMe0.r Fy . >f i c*?.. EUMAIfi ecs a srsawL µL
P�
ure of Applicant
�FNYovIN U. c.1p11S1,E
HistoricJ Prey/ervation Commission Action Approved Denied I I�
Date
City Council Action
Approved Denied
Date
4
261 W911,11 Fury50¢ Bake Hoex107 Court S iso,
I Syr 58, Rvtiv & F,i
11 271
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bridge. Massachusetts,' a a but differs from it in detass of Its poor, which Ryder apparently copied
from details of the Jonathan Eddy House. The Bangm mansard which imitates the Houghton
House M the David Bu ibee House.
Calvin Ryder (1810-1890) was a native of Omrglon who practiced in Frankfort as a young
v During this period he drew the plans fox the 1834 Winterport Congregational Chi
Ryder also did residential work in Belfast during Ns years at Frankfort, and his James P. White
House, 1842, is one of the finest Greek Revival houses in the state. William pollutants Blake was
a banker who owned timbethins and other properties: his wife was the sister of Mrs. Calvin
Ryder.
Complete plans marked
For Williams P. Bhkq Erp
Burger, Maine
maw. by AYdn as FWIR Aust
pairs, mmdmc
40 Suit Street,
Boston, Man,
estabhsb me on®nal interior appearance of the house and supply information about misung
exterior element. The Blake House has the blockwork sash typical of the final mansions of
the period, A circular bracketed monotonous bay is in she dining room, the second roam on
262 the stormily side of the central halt, the Houghton House had a similar bay on the front room
on the other side of the hall. The interiors of the two houses are said to have followed the same
plan, and she Houghton House had the same asymmetry in its side elevations as the Blake House
fare below), therefore. the pians were revered in building the two houses,
261 The More bay facade has a shallow central pavilion, We re Eddy flout but unlike the
Houghton House, with paired founddeaded windows (unlike either tEe Eddy or Houghton
'.63 WJIiam Augustus Bite Boom, chamber Scur
Fit, by Nor, Q Fulle,.
°L
M<. WiWam A artm Blake H"w, Atac Plan'
by Ryser d FIJI"
Housed above the himanate portico. and a resundheaded window with an elaborate floral key.
SpOne in the central moble above. The latter has a centra l roof and small Mees modJlinns
echoing those of the m Nand dormers; its roof is supported on edinfles and has sweeping concave sides. The sagmental dormers, liable, and moddha ed coriuce are like those of due Eddy
House, but the roof elope is more curved, like that of are Houghton House and early Cambridge
mn setas by Greenough.
The elaborate exterior detail includes paired ro sole Three brackets between bays, a
waled Po¢e (main block oNys moddlions along the base of the roof hip, and curved bases
crollug to the sides on the dormer windows, untie the forward-prejacting brackets of the Eddy
House: The pound story windows have Bat bracketed architraves and those above have drip
moldings, all with small sill brackets. The more decorative portico brackets have carved drops.
and the roundhwded motif is well on it in bghtweTht open wood arches set within square
headed openmgs: this any treatment is quite different from the porticoes of the PaWk and Eddy
Houses where the round headed openings were of sold wood.
Fine carving is also seen in the rotate designs of the keystones over these portico archea
(inside and out); inthe carving of the comic¢ over the outer doors, a pattern of overlapping
hearts; and in the carved paneled counted markets, which have buds on the upper scroll and
caused bones at the base. Ryder's Greek Revival houses in Belfast pvicmarly the James P.
White Hous, reveal a fondness for served detail that may have been inspired by the influence of
Charles G. BryantI 1 n The portico was formerly surmounted by a parapet of ovals joined by
Bayou having paneled posts; this is the only impotlant exterior element now missing.
Though complicated and elaborate. there is a restraint and classicism in flus elevation which
Is comparable to that of the lames P. White Hous, Belfast, but different from Darius Lawrence's
Pauli Hous and the other mansions (Jonathan Eddy, Nathan Pendleton, Jacob Smith) attributed
to Lawrence
11 271
V
Imo
-
'.63 WJIiam Augustus Bite Boom, chamber Scur
Fit, by Nor, Q Fulle,.
°L
M<. WiWam A artm Blake H"w, Atac Plan'
by Ryser d FIJI"
Housed above the himanate portico. and a resundheaded window with an elaborate floral key.
SpOne in the central moble above. The latter has a centra l roof and small Mees modJlinns
echoing those of the m Nand dormers; its roof is supported on edinfles and has sweeping concave sides. The sagmental dormers, liable, and moddha ed coriuce are like those of due Eddy
House, but the roof elope is more curved, like that of are Houghton House and early Cambridge
mn setas by Greenough.
The elaborate exterior detail includes paired ro sole Three brackets between bays, a
waled Po¢e (main block oNys moddlions along the base of the roof hip, and curved bases
crollug to the sides on the dormer windows, untie the forward-prejacting brackets of the Eddy
House: The pound story windows have Bat bracketed architraves and those above have drip
moldings, all with small sill brackets. The more decorative portico brackets have carved drops.
and the roundhwded motif is well on it in bghtweTht open wood arches set within square
headed openmgs: this any treatment is quite different from the porticoes of the PaWk and Eddy
Houses where the round headed openings were of sold wood.
Fine carving is also seen in the rotate designs of the keystones over these portico archea
(inside and out); inthe carving of the comic¢ over the outer doors, a pattern of overlapping
hearts; and in the carved paneled counted markets, which have buds on the upper scroll and
caused bones at the base. Ryder's Greek Revival houses in Belfast pvicmarly the James P.
White Hous, reveal a fondness for served detail that may have been inspired by the influence of
Charles G. BryantI 1 n The portico was formerly surmounted by a parapet of ovals joined by
Bayou having paneled posts; this is the only impotlant exterior element now missing.
Though complicated and elaborate. there is a restraint and classicism in flus elevation which
Is comparable to that of the lames P. White Hous, Belfast, but different from Darius Lawrence's
Pauli Hous and the other mansions (Jonathan Eddy, Nathan Pendleton, Jacob Smith) attributed
to Lawrence
11 271
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11 271
:90 bnryr. Maim• Ii591914 'A rFnert al brain
The house was designed to have two over two light sash, which were carefully graduated in
size, both by story and by (heir placement on the facade or sides It was probably the firs(
Bangor house to case this kind of ewer. The two -light cellar sash carefully corresponds to the
windows above, and in the later twmstory, bay on the northerly Side wall, the three -tight teller
windows make an wkaa d transition where every other detail is a carefully planned There in
al departure hothe a ap
carefully designed correond<seeb and proportioned elements
n nmn theplans. The archeect provided atloid secondsttery window between the two main bays for
the elaborate dressing rows, wacMbssin doxy and cupboards between the two chambers on
each side elevation, and his drawing shows that privacy was provided by completely louvered
interior shutters (the kind that first appeared in Bangor in the dining room of Cliff Cottager.
Thu asymmetry foreshadows the Crucial Revival, in which the provision of comfort permitted
variation in fenestmdon.
A library with sliding doors containing plass panels is at the front of the secpndstory hall.
363 and there are five plain bedrooms on the third floor, reached from the all staircase A circular
skylight (now deficient in the second story ceiling has its original leaf molding. On the mom
260 floor, the floor Opening cal
The man black of
265 rive feet four triches and
had a parlor, an oval bad
266
(one announced a safe for.
was entered though an at
Thele was no chimney on
mg room
Aster
l r plaster elements, indicating that these w all ordered from suppliers. The specipcations:
which would have demfibed these element ado not involve. The present interim well Molded
fourpari doors am originalas are IM1e double sliding library doors on the second floor. In the
late 19th century, the Ihenowdvr of IM1e house, Edward H. Blake had [be Inlenter remodelled in
Ian elaborate Colonial R. al massive; taste ith overtones of the Queen A (the inglenook
previously described)
Without the p f tions, one cannot be certain f Inoriginal finance. The counters
skirting (mop) boards and chamber dervers seem always have been deduced, but the original -
267 binary doors am stained and converted . Downstairs, the elaborate drawing room doorswhich
respond to the architect's design except for an addi meal crown
molding, are ago stained
V and varnished, as are the window surrounds, skirting boards, laterwall panels and so on Since
the descriptions of the Nathaniel Lord(1844)and Hayward Pence 118511 Wife, show a prefer
ce for dark wood pained finishes in reception rooms (even the greenish Rogers Double
House of 1835 had the outside of its from door finished before Installation, which may indicate
staining, and the 1839 addition to she Alfred G. Jewett House had a white oak front door].
it is notable that sire one woad vim in (hese areas was originally stained not painted. The
high varnish now presentre
, however, was probably added in she late 19th century redeco
lion of the boom
AB chimney games were opposed in Edward Blake's redecoration, those of the parlor and
dining room by beautifully agreed mahogany ones with Aural centerpieces: elaborate ma ¢luny
paneYng was installed in these rooms The parlor and front southerly bedroom received high
Adamesque plaster relief ceiling frieeas (that of the parlor is a
ver). and o neve added
ompontimic ceiling moldings wereNosection n the older simple late Creed Revival
gs
moldinAlso Installed at this taste were wall panels filled with ((moots papers, a new heavy
mahogany railing and Dc]agonal newel rr ranted by Blinn acceptant. and additional moldinp
over the drawing roodoor. In this room�Ionic columns before the bay and matching Ionic _
window m ndow plasters replaced Oe old into The chimnev piece in the bay is a ohms d white
wooden one with mucor of the type made let the Morse mill
Upstrun, the front southerly bedromn temved a carved reserved chimney, piece of exquisite
workmanehip with Blake Myself worked Into the carved gadands. and the back bedroom a high
rl 271
Pher science and care. Frviwu Com 1830.1660 . �.
Lly•i
L8 L
r .' L .-C'� J
M William Aaeuetm Blake Hous,, 266. Willhm Ancestor Blake Home,
First Story, plan, by RYder® earth plan of its Cellar by Ryser A, Fuger,
$battles bot ab PIP'S leading to III
paneled neatly blackatamed dado. a Germmie medevaliainB chimney piece with wide file
surround. builnin cupboards, and a bed which folds into the paneling The work here resembles
first of the German carver who worked at the Morse m81 in this period, though the finely carved
work in the front bMmom Is believed to have been done in Boston. The name of the architect
n charge of the redadamiton of thehourt B not known, but he wait sensitive to Ryder's drawings,,
and replaced elements, for example the outer front doors (which cridinagy had round -head
molded panels above molded oblongs) with square -head Homs with dee and dart moldings in the
Colonial Revival taste, that carefully relate 0the original elements. The even more far-reichum
redecoration of the Isaac Ferrer Mansion by Isom, Merrill represents the same kind of fashionable 56 -
upg2dmg; the George W. Brown House received an interior in the same taste in this period, and
other important concede, for example the PhJo Strickland Hours (a mansard) and she George
Stetson House, received circular bays The that of the Blake House. Whether Merrill followed
Blake's example or that of another important mBliauire, or$lake Merrill's, is not known.
When the Blake Home was nearly complete it was described in the Bangor Daily Whig and
Coupler of October 5, 1858, and its modern convrniencea, rather than its exceptionally polished
architecture, were what caught the attention of the jourrai st 'Gold's Steam Heating Apparatus"
fducls. are shown on Ryder's plan leading to every room) was of particular note, The Witter 166
commuen:
e of the most eteynt pmae tandu m Barter. Mame-emu under The rope.
Trideadoncroor Mr. ROMat carol, rhde r ry toroidal io ..trite and area
,norawas nearly awry cosuccars,and Comfort f« me three vatunmodern true,.
The restaurant Eam
or coelomic for my far sco ma and violating
Iran
ncan
w. a to, "few avmn the rut fatuity ,f seen to the differentapmm ms, au.:
11, complete
emade aliberal had That u I'll n
'
pee real youth that of an ether prettycity
Writing in the
When first listed in the Bangor lax lista in 1858it was valued of 513,000. Robert Cobalt' r l was
the cabinet maker turned founderwho had remodelled his older Stam Street cape house
the Guests taste, fH6 brother John Carbe Jr., remained a cabinet maker. )
The architect's plans confirm that the Blake House was indeed palatial In The degree offs
s. In addition to the communicating dressing rooms with basins between the main
bedrooms,ethere wan a passageway storage area with there between parlor and dining room.
-- D^;,, I, or, l.'Eei 611 d,.l .vim mru/1,,,
fi
,ea
11 271
and in the secondsmry ed.a bathroom and two ttpanle wa ler close Or mansomed serum to
entrances. The kitchen, which was croul by its onestory back addition housing a wash room
with boiler behind the four -barter range, and a fuel room, had its own water drier 'Phe plans by
Ryder 5 PuOer prese n all then details the way In which planning for mWarn conveniences
produced a house withta copies of comfort that was really new and unequalled until the present
enNry They also show that the sulsyme t rmnodedling of the 61ake House was entrained
merely with matters of dermanon-
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a«
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:17 widner, A1911116 IMIT, HIIIIV
f aTOO and
"baty E nby Ry Oil
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and in the secondsmry ed.a bathroom and two ttpanle wa ler close Or mansomed serum to
entrances. The kitchen, which was croul by its onestory back addition housing a wash room
with boiler behind the four -barter range, and a fuel room, had its own water drier 'Phe plans by
Ryder 5 PuOer prese n all then details the way In which planning for mWarn conveniences
produced a house withta copies of comfort that was really new and unequalled until the present
enNry They also show that the sulsyme t rmnodedling of the 61ake House was entrained
merely with matters of dermanon-
BANGOR HISTORICAL SOCIETY
Historic Preservation Committee
This citation is awarded to
in recognition of the restoration of T6s [QrjisLe Co,
'M7vltse a °f ?hake am Wz f('sa'n AINUs
`{
the architect -Ural
and historic fabridistinc ofguBisanhed-
gorcontribution to.
Award dens;SLJ/ess �u.6Ci[.L�i,A�S
Date:
�vve�6e�- l9, 79Z6
Z- N
H
11 271
Niton[5Fegisteroe�Rl horic.daces
in tkie State of Xaine
o�
`.79t is to arfif flat fle.
. BC¢�e (Pnenz�ss � G''�rlrsLej�ouse
B¢�tgan, �y¢�ne
&asirerz reviuved6y flic✓llniae Zutoric Pr snvaiwo
Comm issioa ifar(iingtm D C
andunda ile pmvisroas f t%ie fiona(.S(istorzc i�reservafinn.
cAct of79661ms Seen eaferedupon flee Yrkiw aC�egrster
stortc Jiaces an on .31 19,ze
.`?e dfuris&� cmlied tkat 6e inclusiott in fire ✓Va&r (
5egkter 1. e aEnuersamedisrecajaivllasapvty�'tire,ilrstorical
and (%(furaCuT(eiffage afour nafiom andsAoufd&pre erve L
asa iiviagportof'ourmmmaaify anddeve%pmersf in cyder
fogiueasense farieah+tion, fo t4e �/lmeriampevp(e.
107 COUn S1 Original Architect Plans
11 271
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107 Court St - Original Architect Plans
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